Acoustics of the saxophone

Bb soprano saxophone


Music Acoustics UNSW


a key depressed
a key not depressed
a hole covered
a hole uncovered
a part of the mechanism that is not normally touched
Details in fingering legend.

Acoustic schematic
a closed tone hole
an open tone hole

Non-specialist introduction to acoustic impedance
Non-specialist introduction to saxophone acoustics

Notes are the written pitch.
Frequencies are the sounding frequency, for Bb saxophone.
Unless otherwise stated, the impedance spectrum is for a Bb saxophone.

Impedance spectrum of a Bb soprano saxophone measured using fingering for E4.

At frequencies below about 1 kHz, this curve looks rather like that for D4 and D#4, but raised in frequency. At higher frequencies, however, the situation is complicated by the cut-off frequency. Here, the 1 kHz cutoff is also weakening the third peak. The first peak can be reduced in magnitude and shifted in frequency using a register hole (operated by the octave key). See E5.

This note is, acoustically at least, a cross fingering: there is a key closed below the first open key, as the schematic inset shows. Because of the large size of the tone holes, cross fingerings have little effect at low frequency.

For general comments about the first register, see A#3. Compare with the impedance spectrum for a tenor sax on written E4: same fingering but sounding one octave lower.


Sound spectrum of a Bb soprano saxophone played using fingering for E4.
For more explanation, see Introduction to saxophone acoustics.

For general comments about the sound spectra of the first register, see A#3, which is the first note of that register.

Sound Clip

You can hear E4 played.

Fingering legend
How were these results obtained?

Contact: Joe Wolfe /
phone 61-2-9385-4954 (UT +10, +11 Oct-Mar)
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