modern flute
B foot
B4
| Acoustics of baroque, classical and modern flutes |
modern flute
|
B4 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
|||||||||||
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|||||||
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|||||||
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|||||||
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|||||||||
|
Fingering Acoustic schematic Non-specialist introduction
to acoustic impedance |
The flutist uses the same fingering for B4 and B5, but changes the speed, length and shape of the jet. The first four minima can be played.
Sound spectrum
of a modern flute with a B foot played using conventional
fingering for B4.
You can hear B4
played with conventional fingering
by Geoffrey Collins.
Covered Fingering |
modern flute B foot |
|
Fingering Acoustic schematic Non-specialist introduction
to acoustic impedance |
Sound spectrum of a modern flute with a B foot played using covered
fingering for B4.
You can hear B4
played with covered fingering
by Geoffrey Collins.
may suggest other fingerings for this note.| Acoustic measurements are available for these flutes - modern B, modern C, classical C, classical D, classical flared, baroque Sound clips are available for modern B, classical flared and baroque |
To compare flutes, it is easiest to open a separate browser window for each instrument. |
a key depressed
a key not depressed
a part of the mechanism that is not normally touched 
a closed tone hole
an open tone hole