Acoustics
Waves in three dimensions
Point source radiates spherical wave into air. Energy is radiating uniformly in all directions. The sound intensity, I, at a distance r is equal to the power dicvided by the surface area of a sphere of radius r
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The pressure equation for a diverging spherical wave
p = (A/r)cos(
wt - kr)where A is constant.
Sound intensities and intensity levels at different distance from the source
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If r2 = 2r1 then I2 = (1/4)I1.
In terms of intensity levels
b2 - b1 = 10log(I2/I1) = 10log(r1/r2)2
b2 - b1 = 20log(r1/r2)
So if r2 = 2r1
then b2 - b1 = 20log(1/2) = - 6dB i.e. intensity level decreases by 6dB.
Interference of sound
The superposition principle applies if two or more waves pass through the same medium simultaneously. Then the resultant waves displacement or sound pressure at any point x will be the addition of the displacement or pressure of the component waves.
p(x,t) = p1(x,t) + p2(x,t)
Where the interaction of the waves leads to cancellation or reinforcement it is called destructive or constructive interference respectively.
Sound pressure due to i.e. two waves travelling in the same medium at the same time
p1 =A1cos(
wt+a1) and p2 = A2cos(wt+a2)Algebraically
rresultant = P cos (wt+a)
where d is the phase difference between P1 and P2
If A1 =A2, P2 = 2A2(1 +cosd) and P =2Acos(d/2)
Since I ~P2
I ~ 4A2cos2(d/2)
When I = 0, as observed in destructive interference, the waves are out-of-phase.
Constructive interference is used to describe the in-phase condition, when I =4A2.
Reflection and Transmission of Waves
For pressure to be continued on reflection and transmission
Ai = Ar +At
Reflection coefficient
R = Ar/Ai
Transmission coefficient
T = At/Ai
Electrical analogy for a propagating wave
Since the characteristic impedance of medium is the ratio of the pressure and the velocity of wave
Z = c
Using Z the reflection coefficient
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And transmission coefficient
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Since the intensity goes as Pm2/2
rc the sound power reflection coefficientar= Ir/It =R2
And the sound power transmission coefficient
at = It/Ii = 4ZtZi/(Zt+ Zi)2
Standing Waves
When a wave is incident on a boundary, the complete acoustic field will result from the superposition of the incident and reflected waves.
For the simplest case of total reflection, the amplitudes of the incident and reflected pressures
Pmi = Pmr = Bo
Resultant = B
osin(wt-kx) +Bosin(wt+kx) = 2Bosin(wt) cos(kx)Example:
A standing wave is produced by reflections from two plane parallel boundaries separated by a distance L, with one wall at x = 0, and the other x = L.
The pressure at the walls must be maximum (nodes at minimum displacements)
cos(kx) =1
cos(kL) =1
Hence kL = n
p; n = 1,2,3, or k = np/LThus, only certain values of k (or wavelengths since k = 2
p/l or frequency since f=c/l) are allowed as a result of boundary conditions.Partial Reflection
Standing wave formed by incident and partially reflected wave with r as a fraction of the incident wave amplitude in the reflected wave
pi = Pi sin(
wt kx)pr = r Pi sin(
wt-kx)pi + pr =Pi(1 + r) sin(
wt)cos(kx) Pi(1 r) cos(wt) sin(kx)If those two result in standing wave
maximum at Pi(1 + r)
and
minimum at Pi(1 r)
The ration of max/min is called the Standing Wave Ratio (S.W.R.)
The reflection coefficient, ar, which is the function of energy reflected
Modulation of Waves
Amplitude modulation is used in commercial broadcasting.
Amplitude modulation occurs in the phenomenon of beats. If two sinusoids having frequencies close together are combined, then the resultant is an amplitude-modulated wave.
Let the two sinusoids be
x
1 = Asinwtand
x
2 = A sin[(w+Dw)t]where the amplitudes are made equal for simplicity and
Dw<<w.The resultant therefore is
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Equation represents a wave of frequency w modulated by a frequency
Dw/2.Frequency modulation is used in electronics (sound in TV, instrumentation tape recorders, etc.).
Three-dimensional sound waves in a room (enclosure)
If the regular reflection takes place at the walls of the room a complicated three-dimensional standing wave system will be set up.
The frequencies of the various resonant modes are calculated using suitable boundary conditions at the walls.
Since acoustic pressure and wave displacement are always out of phase with each other the acoustic pressure will be a maximum at rigid walls.
3-d wave equation in terms of acoustic pressure
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Compared with plane wave
p = P cos (
wt kx)The wave number (vector) k is now 3-d with magnitude
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The numbers nx, ny and nz are the mode numbers. They are called the axial, tangential and obligue resonant mode numbers.
Example
The frequencies, f, of the resonant modes of a rectangular room of dimensions lx, ly, lz are given by
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Where c = 340ms-1 (speed of sound in air) and nx, ny and nz are the mode numbers.
Calculate the frequencies of the four lowest tangential and axial (two of each) modes of a room 7m x 5m x 4m.
Diffuse Sound Field
A diffuse sound field is defined as one having a constant value of the sound energy density (energy per unit volume).
Resonant modes are therefore excluded since they cause large fluctuations of the energy from point to point in the sound field.
The energy density may be steady or may grow or decay with time.
Steady state condition
Power of sound source = Power absorbed by the enclosure walls
Power = Ia A
Where Ia is the intensity of the absorbed sound, and A is the total area of the walls.
If there are present a number of surfaces of areas A1, A2, A3,
for which the absorption coefficients are
The absorption coefficient is an important quantity in relation to room acoustics. Since different materials are involved for the proper control of sound in a room, values of their absorption coefficients are required at different frequencies.
Decay of Diffuse Sound Wave
Steady state diffuse sound field in a room and the source is suddenly switched off.
Large number of rays or wave packets propagating in all possible directions will experience reflection or absorption by the walls.
According to the statistical theory, on average a wave packet will experience n reflections by the walls per unit of time
N = Ac/4V
A-total surface area of the walls
c-velocity of sound
V-volume of the room
The energy density will gradually decay until all sound energy gets absorbed by the walls.
If Io is the intensity of sound field at t = 0, after a time t during which there will be n reflections, the intensity will be
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where
t is the time constant for decaying process.The time taken for the energy density to decrease to one-millionth of its initial value, as defined by Sabine, is known as the reverberation time, Tr.
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Sabines formula shows that Tr is directly proportional to the volume of the room, V, and inversely proportional to the total absorption
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Reverberation may result in amplification and prolongation of the sound.
Near the source, within about 3m, the direct sound predominates and the room has little effect. Beyond about 10 m the reverberant sound predominates.
The reverberation time for a given enclosure changes with frequency.
Rooms used for the speech should have fairly short reverberation time, so that successive syllables do not overlap. In contrast, rooms used for music should have longer reverberation times.
For concert halls the reverberation time should increase at low frequencies to provide "warmth" of tone, and some earlier reflections to give "presence" or "attack".
Example
A large seminar room is 4 x 6 x 10 m and has a reverberation time of 1.5s.
Reflection, absorption and transmission of sound
When an acoustic wave is incident on a barrier, some of the incident energy is reflected, some absorbed and some transmitted.
Ii is the intensity of the incident wave, Ir the intensity of the reflected wave, It the intensity of the transmitted wave and Ia the absorbed intensity.
By conservation of energy
Ir + Ia + It = Ii
Hence
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r +
Where
is the sound energy absorption coefficient, ...
i.e. sound energy reflection coefficient + sound energy absorption coefficient + sound energy transmission coefficient = 1
The absorption coefficient is a very important for room acoustic.
To control the sound in a room, values of absorption coefficients are required at different frequencies for all materials involved.
There are two standard methods for measuring absorption coefficients
A pure tone is generated by the loudspeaker and a partial standing wave is set up in the tube.
The values of the pressure at the nodes and antinodes in this partial standing wave depend on the amount of energy absorbed by the sample being tested.
The pressures at the nodes and antinodes are measured using probe microphone and the standing wave ratio, S.W.R., in the tube determined.
The sound energy reflection coefficient, r,
Because the end cap is solid no energy is transmitted into it, and so the energy transmission coefficient, t, will be zero.
Hence in this case
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Ideally it should be such that a diffuse field can be set up.
It should have a reverberation time of at least 15 seconds (with bare walls).
First the reverberation time of the empty chamber is measured at a number of
different frequencies.
Next large panels of the material under test are placed on the floor, walls etc.
The reverberation times are then remeasured, and finally the coefficient of the test
material for each frequency is deduced.
With the room empty, the reverberation time,
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where a = acA
With Xm2 of the surface covered with the material of absorption coefficient ae the total absorption of the chamber is increased to a + X(ae ac).
The new reverberation time
Other quantities related to the acoustics of room
If the sound wave travels a distance x in air, its intensity decreases
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where aatt is called the attenuation coefficient that depends on the frequency of the sound, humidity and temperature of the air.
(High frequency sound is absorbed more quickly than the low frequency sound.)
where at is transmission coefficient.
Double brick wall has a noise-rating of 50dB.
The intensity level of the sound transmitted through this wall is 50dB less than the intensity level of the sound incident on the wall.
The frequencies at which the room responds, depend very much on the size of the room and absorption property of all surfaces.
If there were no absorption, standing waves could be set up between the walls, floor and ceiling and the sound would get louder without limit.
Determination of the attenuation coefficient Pulse Echo Method
An acoustic wave loses energy as it travels through a specimen, and so the amplitude of the wave decays through the specimen.
In general the amplitude, A(x), of the wave after travelled a distance, x, is given by
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where Ao is the initial amplitude
a is the attenuation coefficient, measured in neper per metre
In the pulse echo method the potential difference across the output of the transducer is proportional to the amplitude of the acoustic wave incident on it.
The pulse of sound travels across a specimen and gets reflected producing echoes.
The amplitudes of successive echoes decay exponentially with time, and so with distance travelled.
Using graph of ln (peak height) against (peak number) the attenuation coefficient will be determined
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Example
In a single-ended pulse echo experiment using a specimen of length 6.5cm, five echoes were observed having amplitudes of 50.0, 21.0, 8.7, 3.6 and 1.5 units, with a mean time of 24.4
ms between pulses.Determine