What Makes a Good Didjeridu – and What Makes a Good Musical Instrument?

 

Some musical instruments are just wonderful – they respond quickly and easily, produce a good sound with little effort and they just ‘feel good’. Others, well, they look nice on the wall. This summary is as true of the didjeridu as for other instruments. But why choose the didjeridu to answer the important question ‘What makes a good musical instrument?’

On most musical instruments, the question is quite difficult. Because of psychological factors, the experiments must be done ‘double blind’ – neither the player nor the experimenter should know which instrument is being tested, so that expectations do not influence judgment. For a cheap model, the instrument may take the blame for a poor sound while, for a famous instrument, the player may try to meet expectations and compensate any shortcomings. The didjeridu has the advantage that neither player nor experimenter knows the details of the highly complex bore produced by the appetites of termites!

In a recent study, we measured various physical properties of 38 didjeridu, whose overall quality was assessed by 7 experienced players. We found that higher quality instruments had a lower acoustic impedance in the range 1 to 2 kHz. Previously we showed that the characteristically varying timbre is produced by the player using resonances in his own tract to modify the spectrum of the instrument. Thus an instrument with a low impedance in this region would allow a greater contribution from the player’s vocal tract and allow a player more control of the formants in the sound.

Fig. 1: The quality rankings of these instruments (from top to bottom) were 5, 6, 7, 13, 21, 35, 37 and 26, out of a set of 38 instruments. There is no simple relation between quality and appearance, which makes the didjeridu ideal for a double blind studies.
Fig. 2: The acoustical impedance spectrum is the ratio of sound pressure to sound vibration, for each frequency. Each peak corresponds to a resonance.

 

John Smith, Guillaume Rey and Joe Wolfe


For more information about our work on didjeridus,

 

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